❮

Universal Surface Mount for Lavalier Microphone (DMM0007)

Universal Surface Mount for Lavalier Microphone (DMM0007)

Configure your accessory

    Configure
    Product ID
      Quantity
      Price
      MSRP € excl. local VAT
      Request quote Save to wish list Saved to wish list

      Description

      Universal Surface Mount is a soft rubber holder that can connect miniature microphones to numerous instruments, using a special non-marking adhesive. This allows the microphone to be placed at virtually any location on the musical instrument.

      This adhesive, while providing a firm location for microphone mounting, retains its ability to adhere through multiple uses. Use it with our 4060 Series Omnidirectional Miniature Microphones. It is included in our 4060 Series Instrument Microphone Kits.

      The holder is supplied in a box with five holders and 20 pieces of adhesive tape.


      Strings

      Tonal range (lower/upper)
      g (196 Hz) / g4 (3136 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 16 kHz
      Typical max SPL, 3m
      95 dB
      SPL (db re 20μPa)
      At the ear: up to 109 dB
      Dynamic range
      30 dB
      Attack time
      5-30 ms
      Tonal range (lower/upper)
      c (131 Hz) / c3 (1047 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 16 kHz
      Dynamic range
      30 dB
      Attack time
      30–50 ms
      Tonal range (lower/upper)
      C (65.4 Hz) / c3 (1047 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 8 kHz / 16 kHz
      Dynamic range
      35 dB
      Attack time
      Plucked string: 5–30 ms; Struck string: 30–50 ms
      Tonal range (lower/upper)
      gE1 (41.2 Hz) / g (196 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 7.5 kHz / 10 kHz
      Typical max SPL, 3m
      95 dB
      Dynamic range
      35 dB
      Attack time
      Up to 110 ms; Hard: up to 110 ms; Soft: up to 450 ms

      Brass

      Tonal range (lower/upper)
      e (165 Hz) / d3 (1175 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 15 kHz / 15 kHz
      Typical max SPL, 3m
      106 dB
      SPL (db re 20μPa)
      0.5 m from bell piece: normal; forte: 108 dB; extreme forte: 128 dB
      Dynamic range
      Lower tonal range: 30 dB; Higher tonal range: 10 dB
      Attack time
      20–40 ms
      Tonal range (lower/upper)
      H1 (61.7 Hz) / f2 (698 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 10 kHz
      Typical max SPL, 3m
      95 dB
      Dynamic range
      Middle tonal range: 40 dB; Higher tonal range: 20 dB
      Attack time
      20-40 ms; In low tonal range: up to 80 ms
      Tonal range (lower/upper)
      E (82.4 Hz) / c2 (523 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 7 kHz / 10 kHz
      Typical max SPL, 3m
      104 dB
      Dynamic range
      Middle tonal range: 45 dB
      Attack time
      20–40 ms
      Tonal range (lower/upper)
      Eb1 (39 Hz) / g1 (392 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 4 kHz / 7.5 kHz
      Typical max SPL, 3m
      96 dB
      Dynamic range
      Middle tonal range: 40 dB
      Attack time
      20–40 ms

      Woodwinds

      Tonal range (lower/upper)
      d2 (587 Hz) / c5 (4186 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 15 kHz
      Typical max SPL, 3m
      102 dB
      Typical max SPL, 3m
      102 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      c1 (262 Hz) / c4 (2093 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 6 k Hz / 15 kHz
      Typical max SPL, 3m
      96 dB
      Dynamic range
      35 dB
      Attack time
      20-60 ms; Low register: Up to 180 ms
      Tonal range (lower/upper)
      c1 (262 Hz) / d3 (1175 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 15 kHz / 15 kHz
      Typical max SPL, 3m
      90 dB
      Dynamic range
      30 dB
      Attack time
      20–60 ms; Low register: Up to 120 ms
      Tonal range (lower/upper)
      d (147 Hz) / e3 (1319 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 10 kHz / 15 kHz
      Typical max SPL, 3m
      92 dB
      Dynamic range
      50 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Bb (58.3 Hz) / c2 (523 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 8 kHz / 12 kHz
      Typical max SPL, 3m
      90 dB
      Dynamic range
      35 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Bb2 (29.2 Hz) / c1 (262 Hz)
      Typical max SPL, 3m
      92 dB
      Attack time
      20-60 ms
      Tonal range (lower/upper)
      ab (208 Hz) / eb3 (1245 Hz)
      Frequency content up to (harmonics/noise)
      ⇒ 12 kHz / 16 kHz
      Typical max SPL, 3m
      98 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      db (139 Hz) / ab2 (831 Hz)
      Typical max SPL, 3m
      98 dB
      SPL (dB re 20μPa)
      At the center of the bell piece up to 130 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Ab (104 Hz) / eb2 (622 Hz)
      Typical max SPL, 3m
      98 dB
      SPL (dB re 20μPa)
      At the center of the bell piece up to 130 dB
      Dynamic range
      25 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Db (69.4 Hz) / ab1 (415 Hz)
      Typical max SPL, 3m
      98 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      Ab1 (51.9 Hz) / db1 (278 Hz)
      Typical max SPL, 3m
      96 dB
      Attack time
      20–60 ms

      Stringed instruments

      Tonal range (lower/upper)
      E (82.4 Hz) / c3 (1047 Hz)
      Typical max SPL, 3m
      88 dB
      Attack time
      20-60 ms
      Tonal range (lower/upper)
      E (82.4 Hz) / c3 (1047 Hz)
      Typical max SPL, 3m
      92 dB
      Attack time
      20–60 ms
      Tonal range (lower/upper)
      A2 (27.5 Hz) / c5 (4186 Hz)
      Typical max SPL, 3m
      Lid in 45° position: 100 dB
      Attack time
      20–60 ms

      Percussions

      Tuning
      Eb (77.8 Hz) – G (98 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      F (87.3 Hz) – c (131 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      A (110 Hz) – f (175 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Tuning
      c (131 Hz) – ab (208 Hz)
      Frequency range with the highest level
      60 Hz – 200 Hz
      Typical max SPL, 3m
      110 dB
      Attack time
      10-18 ms
      Frequency range with the highest levelt
      50 Hz – 400 Hz
      Typical max SPL, 3m
      115 dB
      SPL (dB re 20μPa)
      With pedal, 20 cm from drumhead: 120–128 dB
      Dynamic range
      80 dB
      Attack time
      8-12 ms
      Frequency range with the highest level
      80 Hz – 4 kHz
      SPL (dB re 20μPa)
      108 dB
      Dynamic range
      55 dB
      Attack time
      5-8 ms
      Frequency range with the highest level
      100 Hz – 5 kHz
      SPL (dB re 20μPa)
      105 dB
      Dynamic range
      65 dB
      Attack time
      2-4 ms
      Frequency range with the highest level
      2 kHz – 12 kHz

      Fits with these microphones

      4060-series-white-bg.jpg

      4060 Series Omni Miniature Mic

      This series contains the 4060, 4061, 4062, 4063 and 4071 Omni Miniature Mics. Each version is tailored towards a specific application based on sensitivity, voltage and placement needs. They are all based on the original d:screet™ 4060; the very first miniature microphone developed by DPA.

      Read more and configure your mic
      map-pin map-pin-shadow

      Where do I buy?

      Are you ready to buy a DPA microphone or accessory? Let us help you find the store closest to you.
      Locate store

      EXPLORE FURTHER

      2012 Compact Cardioid Microphone

      2012-compact-cardioid-mic-in-holder-ua0961-1170x660.jpg

      Great close miking on any instrument on the live stage

      The 2012 Compact Cardioid Microphone is an all-around generalist pencil mic that guarantees excellent results on any instrument on a live stage.

      View microphones

      4055 Kick Drum Microphone

      4055-title-1170x660.jpg

      Designed to kick the bass to the next level

      The 4055 takes the traditional concept of a kick drum mic and turns it on its head - no more pre-tailored sound - now you can take sound design back into your own hands.

      View microphones

      2017 Shotgun Microphone

      2017-shotgun-microphone-1170x660.jpg

      The most durable shotgun mic ever

      The 2017 is a compact, yet effective shotgun mic. It has efficient off-axis rejection combined with an off-axis frequency response that is very linear.

      View microphone
      Loading